Wir mussten wegen der „Corona-Krise” auf unbestimmte Zeit unsere Türen schließen. Das trifft uns wirklich hart, da wir kaum Rücklagen haben, um die fehlenden Einnahmen zu kompensieren, und immer jeden Euro, der übrig war, in unser Musikprogramm gesteckt haben.
Wir können nun die Miete und Fixkosten nicht mehr bezahlen und sind auf deine Hilfe angewiesen! Um uns vorerst über Wasser halten zu können, wären wir dir sehr dankbar, wenn du uns mit dem Kauf eines T-Shirts oder Hoodies unterstützen würdest.
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IBAN: DE09 2008 0000 0532 3678 02
Danke & bleibt gesund!
Emerging from the inauspicious environs of suburban Kent in 1977 with the doom-laden clangour of Black Sabbath ringing in their ears, Angel Witch quickly found themselves leading a movement of bands who were taking the heavy metal paradigm to exciting new dimensions, creating something darker, faster and heavier than anything previously issued forth.
With songwriter, lead guitarist and chief architect Kevin Heybourne engineering a psychic realm where horror and fantasy imagery locked horns with pulverising riffage and razorsharp hooks, the band were soon vying for supremacy amidst an alarmingly fertile scene that also included Iron Maiden, Saxon, Diamond Head and Samson, yet with arguably the heaviest and most otherworldly dimensions at their disposal of anyone in range.
Angel Witch’s debut album was released on Bronze records in 1980, led by its deathless eponymous ditty – no less than one of the most enduring and life-affirming metal anthems of them all – and earned them a rabid following if not always critical plaudits, Yet unknowns to most, these feverish, vicious and incisive songs had already found the ears of a generation of young and hungry musicians who would come to lay the groundwork for extreme metal, and the likes of Dave Mustaine, Gary Holt and Tom G. Warrior have all cited this record as both personal rave and pivotal influence.
A storied quarter-decade followed, with various different incarnations of the band existing on both sides of the Atlantic, including an early ‘90s line-up based in San Francisco and including members of Exodus, Heathen and Laaz Rockit which stalled due to immigration issues, and Heybourne spent much of the following decade forging a career as a tree surgeon, until a serious head injury left him unable to work, and upon finding himself walking the same streets, drinking in the same pubs and crucially listening to the same records as in this teens, he arrived at an epiphany, and set upon a plan to return to the motherlode of what made his music a uniquely potent and powerful proposition
Kevin Heybourne knew what was to be done – Angel Witch would be reformed. Only this time, they would sound like they were intended to almost 30 years before: No more trying to assimilate to the musical climate around him, no more trying to keep up with fashion. Angel Witch would go back to the genesis moment – 1979 revisited and damn the consequences. The result was 2012’s ‘As Above, So Below’, which stood proud as the long-awaited successor to the debut, uniting past and present with style and finesse, as the band toured with a line-up that included Bill Steer (Carcass/Firebird/Gentleman’s Pistols).
In the five years since, Angel Witch have also united an audience of new devotees and older fans around the world, traversing Europe with Grand Magus, sharing bills with fans of the band like Trouble and Candlemass, playing festivals like Roadburn, Hellfest, Sweden Rock and Graspop and headlining shows as far afield as Japan and Canada.
2017 has already proved to be the most eventful year of the decade thus far, with the line-up of Heybourne, Will Palmer (bass) Jimmy Martin (guitar) and ex-Witchcraft drummer Fredrik Jansson touring Europe and the UK with Electric Wizard and set for a return visit to Japan in July, with fresh material nearing completion for a new album in 2018.
A full forty years on from their inception, Angel Witch’s re-ignited flame burns brighter than ever before. Eternal and timeless chroniclers of the heavy and arcane. the influence of their dark art looks set only to extend further into realms earthly and unearthly alike, from Beckenham to the beyond.
Ventura, California is a picturesque beachside town along the Pacific coast. But beneath this tranquil veneer, something dangerous lurks in the shadows of the dark. Night Demon erupted onto the underground heavy metal scene with a self-titled four-song EP in 2012. This recording showcases a sound forged in a deep-seated passion for the New Wave of British Heavy Metal melded to distinctly American muscle and swagger, transcending musical trends and cutting across generational and genre-dividing lines. A street-level buzz soon emerged, as listeners around the globe were captivated by this exciting, fresh take on a revered sound. Night Demon’s momentum accelerated in 2014, with the band landing support slots on Diamond Head and Raven tours of the USA, and launching the first of many DIY van tours across Europe that summer. This European jaunt strung together several festival appearances over a six-week period, with the routing in-between filled by gigs in every city, town and hole-in-the-wall village they could find. It became the blueprint for the band’s subsequent trips to Europe in 2014 and beyond. The net result was that, both at home and abroad, Night Demon earned a reputation as an incendiary, must-see live act with a tireless work ethic.
The next milestone in Night Demon’s career arc was the release of their first full-length album in January 2015 via Century Media in the USA and SPV/Steamhammer in Europe. Entitled Curse of the Damned, the record refined the band’s trademark sound as exhibited on the Night Demon EP. It also inspired fanatical devotion amongst the heavy metal faithful, garnering widespread critical acclaim and being voted the #1 album of 2015 by listeners of WCJU’s Metal on Metal radio show in Cleveland, Ohio. To promote the record, Night Demon hit the killing road for the better part of two years, crisscrossing the United States multiple times both as part of package tours (such as the Carcass/Crowbar/Ghoul trek in summer 2016) and on their own. With each successive tour, Night Demon’s live show incorporated additional production elements, including innovative lighting and visual effects and the nightly onstage appearance of the band’s black-cloaked skeletal mascot, Rocky, to haunt, goad and tempt concertgoers into drinking from the chalice. Reaping the rewards of their relentless touring of the European market, Night Demon scored a high-profile appearance on the main stage at Germany’s Bang Your Head!!! festival in July 2016. Fully committed to veering off the beaten path to bring their heavy metal heat to more people in more places, the band embarked on a pair of tours of Mexico and, in early 2017, a run of 20 dates in South America and Latin America, including ten shows in Brazil alone.
These steps bring us to the present. Night Demon, which features Jarvis Leatherby (vocals/bass), Armand John Anthony (guitar), and Dusty Squires (drums), stand on the precipice of their biggest album/touring cycle yet. The band’s second full-length album, Darkness Remains, is set for imminent worldwide release. Heralded by the compelling lead single and video track “Welcome to the Night,” Darkness Remains finds Night Demon delivering all of the expected NWOBHM-inspired thrills and chills, but also honing their songwriting chops, developing more of an individual sound, sharpening their attack, and even taking some chances along the way. Darkness Remains boasts a raw, powerful, full and clear production that complements the tracks perfectly and sets the gold standard for how a traditional metal record should sound in 2017. Of course, these indefatigable road warriors will tour full speed ahead to promote the new album, beginning with a U.S. tour alongside Anvil in spring 2017. Numerous festival appearances are also in the offing, including amongst others Frost and Fire, Defenders of the Old, and Maryland Death Fest’s Days of Darkness in America, Up the Hammers in Greece, Pounding Metal in Spain, Very ‘Eavy in the Netherlands, and Keep It True, Rock Hard and Party.San Metal Open Air in Germany. For Night Demon, no stage is too small and no stage is too large. They will take them all by storm. Welcome to the blessed night …